Boyd Rice – Sheet Metal cabinet Supplier – China Sheet Metal Fabrication

performances, and eventually make records. His musical project NON grew out of these early experiments; he reportedly selected the name because “it implies everything and nothing”. Techniques and implementations
From his earliest recordings, Rice has experimented with both sound and the medium through which that sound is conveyed. His methods of expanding upon the listening possibilities for recorded music were simple. On his second seven-inch, he had 2-4 extra holes punched into the record for “multi axial rotation”. Another early LP was titled Play At Any Speed. While working exclusively with vinyl, he employed locked grooves that allowed listeners to create their own music. He was one of the first artists, after John Cage, to treat turntables as instruments and developed various techniques for scratching. Rice has been treating sounds from vinyl recordings as early as 1975. NON
Under the name NON, originally with second member Robert Turman, Rice has recorded several seminal noise music albums, and collaborated with experimental music/dark folk artists like Current 93, Death In June and Rose McDowall. Most of his music has been released on the Mute Records label. Rice has also collaborated with Foetus, Tony Wakeford of Sol Invictus and Michael Moynihan of Blood Axis. His later albums have often been explicitly conceptual.
On Might! (1995), Rice layers portions of “Ragnar Redbeard”‘s Social Darwinist harangue, Might is Right over sound beds of looped noise and manipulated frequencies. 1997’s God and Beast explores the intersection in the soul of man’s physical and spiritual natures over the course of an album that alternates abrasive soundscapes with passages of tranquility.
In 2006, Rice returned to the studio to record raw vocal sound sources

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